457 comments - Latest by rinzertanz
The Copyright Act is a complex legal framework. It affects consumers, creators, publishers, producers, Internet providers, educators and students. It relates to the books and websites we read, the movies we watch, the music we listen to, the video games we play and the computer programs we use. Many countries are trying to put the right framework in place to maximize creativity, innovation and overall competitiveness.
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Discussion question:
What kinds of changes would best position Canada as a leader in the global, digital economy?
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jchalifour
First and foremost, modern Canadian copyright needs to emphatically affirm the characteristics inherent to the digital medium. That is, it must tend strongly toward the liberty to freely reproduce that which is digital.
Creations manifested in a digital medium, similar to ideas themselves, are infinitely reproducible without degradation, and with virtually little effort or expenditure of physical resources. It is a huge disservice that copyright-oriented conversations often address creations manifested in a digital medium as though they're apprehended the same as physical items. A shovel can be stolen (I take it from a store and it's gone), a digital file (like an MP3 or FLAC music file) cannot. The digital file can on the other hand, be duplicated without loss of or degradation to the original. This is hugely significant in all of our attitudes toward addressing the digital economy.
Modern copyright needs to swim with both the lack of limitation and the absence of scarcity that characterize transmission of intellectual works manifested in digital media. A proper Canadian copyright policy should not include anything that enables the implementation of technologies, applications, agreements, or other methods of enforcement limiting or otherwise restricting the nature of the digital medium.
The best economic policy involving the digital medium must embrace limitless reproducibility in ways that are totally alien to physical objects. The sooner Canadian copyright law recognizes this, the sooner Canadians and Canadian businesses will be able to develop and launch modern digital-native business models that lead the global economy.
[updated 2009-09-13 12:45]
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13 Sep 12:45
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Zac
The Internet and new generation wireless technologies are revolutionizing access to information, art, music, software. The costs of distribution have always been passed to the consumer, but more and more, consumers already are paying for those distribution channels, and should be able to leverage then.
Yes, we need to focus on protecting the creators of such value, but we need to ensure consumers of these products are protected too.
We should not focus on protecting the interests of media distribution companies with outdated business models.
Dinosaurs must die. -NOFX
[updated 2009-09-11 12:17]
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11 Sep 12:17
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polbel
A: Fiscal advantages to help communications infrastructure and ISP's improve internet bandwidth instead of cutting it down as has been the trend the last 3 years. Here in quebec the majors like sympatico and videotron have eliminated affordable unlimited-bandwidth plans from their offerings.
[updated 2009-09-11 06:11]
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11 Sep 06:11
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hkhkhk
To make Canada innovative artistically and intellectually, we should have the same copyright term as we do with patents. Patents are set at 20 years to maximize innovation and economic competitiveness. Why don't we set copyrights at the same length? The answer is the corporations would throw fits. But if we did this our world would be richer and we'd foster creativity.
[updated 2009-09-11 01:08]
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11 Sep 01:08
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dendee
85% of songs on i-tunes have yet to sell one copy.
[updated 2009-09-10 22:16]
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10 Sep 22:16
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fburnaby
Middlemen typical get a bad rap as people who contribute no value, yet take a cut. This is (in general) completely untrue. The management and distribution of produced goods adds real value in an economy, and is therefore a legitimate trade. However, current media content-holders are an exception. Artists are now capable of producing content and distributing it to a world-wide audience from their basements. Copyright should be used to protect _them_, not content-holders.
While not all producers take advantage of this new-found ability yet, it will be a great way to "cut the fat" as the technology continues to improve. Lean production of this sort is what makes a free-market economy work, and it should be encouraged in the digital realm.
[updated 2009-09-10 12:34]
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10 Sep 12:34
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Gerald Lazorko
I think that works should continue to be protected for all works of intellectual property.This means production facilities should continue to uphold copyright encryption of commercially produced works whether it be music, movies, audio books, or any other known or future format. I believe levies should either stay in place or be implemented. Royalty rates and terms should continually be amended. I could continue on but I will leave this for now.
Yours sincerely,
Gerald Lazorko
[updated 2009-09-08 19:15]
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08 Sep 19:15
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nathan.klock
Implementing the DMCA has far reaching implications outside of the relation between artists and consumers. I would like to point out a situation I currently use.
My home theatre system currently uses a projector instead of a standard LCD TV. All HD Blueray DVD players currently implement a form of DRM called High Definition Content Protection. ( HDCP ) My projector does not support the HDCP protocol and cannot be used to watch my Blueray movies without the use of an adapter such as the HDFury from silicon image. ( http://www.hdfury.com/ )
This is adapter is currently legally obtainable, however under the proposed amendments it would become illegal as it bypasses the HDCP encryption and allows playback from an "insecure" device.
We need to protect this kind of fare use. There is no nefarious motive behind my owning or use of this device, I simply wish to view the media I purchased the way I want on the device I want.
It is unreasonable to expect me to go out and purchase a new display that supports your digital restriction system just so that you can stop a few would be pirates. The number of honest people who stand to be hurt by this far exceed those who would use these to rip-off and distribute bootleg DVDs.
[updated 2009-09-08 17:14]
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08 Sep 17:14
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FCMproductions
As a creator, I believe the Government must enact Copyright laws that ensure copyright is properly protected and fairly compensated. Protection of copyright is important for artists and businesses, and benefits all Canadians and the Canadian economy.
[updated 2009-09-08 12:54]
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08 Sep 12:54
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dendee
Give creators a break....If the government allows the status quo to continue, whereby consumers can take movies and music for free off the internet, perhaps artists and creative professionals should be given tax breaks for their contribution to society. Make the first 30k of digital revenues tax free. I bet only a handful of Canadian artists would exceed that threshold. Ireland for one had been known to grant musicians and artists a tax free status.
[updated 2009-09-08 01:38]
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08 Sep 01:38
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tomslyrics
How about some kind of advertiser based solution like putting Advertisements in cover art or id tags
as well have adds next to places to listen to or download files.
It is being done now in the usa
www.reverbnation.com
And I am getting paid some $
might be worth looking into more here
maybe space to rent sign in my myspace playlist of songs getting over 1.5 mill hits , imagine the impressions that would be worth to advertisers
Would cost the government little and bring home cash to creators
[updated 2009-09-06 19:32]
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06 Sep 19:32
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PeterJones
P.S.
About copyright agenda in Canada
This copyright consultation is a good thing, I hope, but there are at least two shady initiatives by the Canadian government underway, and it is particularly troubling.
First, the Minister of Industry is overseeing the new initiative behind the scenes during this public consultation on copyright, which will then likely be passed as The Answer, without being one. This new initiative does not try to understand why there is so little respect for copyright and does not try to address the causes. Consumer is not in the equation of this initiative, neither are the alternative licensing methods like Creative Commons. As a future parent, I am concerned about this “brainwashing” in schools, and other Canadian parents should be concerned too (just look here: http://www.revenu.gouv.qc.ca/eng/particulier/votre_situation/jeunes_enseignants/COM-293-V%282009-01%29.pdf ).
Second, there are Anti-Counterfeiting Trade Agreement negotiations. It is not transparent enough, nearly everything we know is from leaks on Wikileaks.org, and what we know that it is about trade, and about protecting business models of big corporations and not about dealing with counterfeit product: countries that are the biggest sources of counterfeit are not on the negotiation table. The biggest problem here is that history repeats itself. Our elected politicians force Canada into international negotiations and sign treaties that they did not have authority to sign: WIPO treaties and ACTA have far-reaching consequences for Canadians yet they were not consulted on WIPO treaties, and neither on ACTA. Dear politicians, if money talks more than the votes, maybe you can answer us how much we Canadians need to pay you so that you leave your office and this country for good? ( http://voice.liberal.ca/pages/14699-on-probation/suggestions/153975-how-much-we-need-to-pay-you-so-that-you-leave-the-country-?ref=title )
Finally, Toronto town hall has been taken over by corporations. Only gangs of lawyers and accountants were dominating the discussion and even creators did not have time to speak: great creators usually do not blog (unless it is their specialty), they are busy creating, many of them are touring in the summer, and they do not have time. This is why one of the things that should be done is extending the consultation into the fall to let creators who came back from touring speak too. And Toronto should get another copyright town hall or two in compensation for the botched “industry town hall that did not invite the town”.
[updated 2009-09-04 02:24]
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04 Sep 02:24
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PeterJones
Consumer confidence is necessary for strong digital economy. Digital restriction management consumer control, tivoization of devices (only approved software can run on a device), walled garden ecosystems (Apple App Store for iPhone), mobile phone locking and mobile price gouging, Internet throttling are hitting hard on Canada’s digital economy, making Canada an outsider rather than a leader. These practices are anticompetitive, not all of them are related to copyright though copyright is often abused to enforce these practices. If the law is changed to minimize copyright abuse, this would increase consumer confidence and make Canada’s digital economy stronger.
[updated 2009-09-04 02:21]
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04 Sep 02:21
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RJWitmer
The artist's labour has the same value regardless of how it's distributed. People that think that digital bits have no value are missing the point. Music distributed on a two cent piece of plastic doesn't have more value then music distributed via download. People have paid to watch live performances and received no physical property. It still has value.
The digital age means very inexpensive distribution costs so the distributors are trying to keep themselves relevant by implementing digital locks. This way they can keep control and collect money on every transaction. The problem is digital locks don't work and will never work. The distributors recognize this so now they want tougher laws that make “criminals” of people that remove their twist tie locks. The Canadian government needs to recognize this reality and not make the same mistake as other countries.
Apple and Amazon have demonstrated that people will pay for guaranteed quality music downloads at a reasonable price without digital locks. They are not necessary and only degrade the value of purchased media . They also promote illegal downloads (that don't have digital locks).
Levies are not the answer. They were a bad idea when they were implemented and as a tax payer and consumer I will never accept them. It becomes an industry of it's own and does nothing to stimulate creativity. The existing levies need to be removed.
Instead of levies I believe the government should consider minimum compensation amounts. For example each song purchase requires the artist to be paid a minimum of x cents and the songwriter to be paid y cents. I think the artists are receiving much reduced compensation per unit sale because the album purchase has been reduced from $18 to $10 but this needs to be coming out of the distributor pocket and not the artist.
The bureaucracy involved in this frankly scares me but if the government needs to intervene to protect the artists I think it would be more effective strategy. I think it should be extended not only to sales but the same minimum compensation should be applied when books, music or movies are borrowed from the libraries. The government would be officially recognizing the value and it would help to change the free mentality.
[updated 2009-09-01 22:27]
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01 Sep 22:27
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dendee
If "personal use" of music justifies that it should be free to the consumer, what about my "personal use" of gasoline and alcohol?
[updated 2009-09-01 08:39]
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01 Sep 08:39
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dendee
Artists are going to get screwed.
[updated 2009-09-01 08:32]
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01 Sep 08:32
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kellyN
I believe this is the same question as the previous;
It is difficult to ensure that a particular region becomes the primary benefactor of technological innovation, it is easier to ensure that innovation is not stifled.
When looking at the IBM PC it seems clear to me that the success of the PC vs Apple was due to the open architecture of the hardware. Apple had(s) a much stronger OS, a more devoted following, and a longer history. When IBM opened the architecture, everyone started making PCs, and the market exploded.
In a closed environment one entity makes a little money. In an open environment everyone makes a lot of money.
The key then, is to ensure that the Internet remains free, uncensored, and neutral, and to ensure through strengthened antitrust laws, that no one entity gains too much control.
[updated 2009-08-30 12:57]
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30 Aug 12:57
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smith from sweaburg
1. Sound economic management of the sort that we have been sorely lacking is needed. As we hurtled toward a recession we had a government in denial of reality.
2. a digital infrastructure putting high-speed and high-tech tools into the hands of all Canadian through public institutions like libraries, schools, universities, and so forth.
3. A strong and publicly funded broadcaster in multiple formats - radio, tv, and online with sufficient support on a continuing basis that it can play a pre-eminent role in explaining Canada to Canadians, Canadians to Canadians and Canada to the world.
3. R&D funding to make sure that new technologies are explored by Canadian scientists and cultural workers.
[updated 2009-08-28 21:22]
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28 Aug 21:22
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tamarack
A move away from the scarcity model that our current copyright legislation promotes. Instead of holding fast to the belief that our creativity and ingenuity is limited and exhaustible, like some sort of oil reserve, we should model a more open, sharing-based system that focuses on our ability to create and innovate -- not on the ideas we "own".
[updated 2009-08-25 16:48]
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25 Aug 16:48
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trimoda
To quote dundee’s own phrase, “what an ignorant view of the world”.
Further down here he says
“professional writers are leaving the field because the artists cant afford to pay them anything....even "successful" bands cant make a living touring...because the labels used to pay the bands "tour support" in anticipation of selling cd's. now the bands are on their own, and with the high expense of touring and promoting concerts, it's only viable for the huge artists like U2, Madonna"
By “professional writers” he means professional SONG writers.
Can anyone name one or two whom we will miss for “leaving the field”.
His argument about successful bands not making a living touring now because CD sales are down is absurd.
Do the arithmetic.
Good musicians, even stars, have always had a better chance of winning a superlottery than making more than an insignificant amount of money from CD and record sales. What he should be pointing out is that labels want a cut of the touring in return for label status.
Bob Dylan doesn’t spend his life sleeping in one hotel after another for fun.
I think it was he who said “Why should you pay for [recordings]? They aren’t worth anything.”
In my mid-size Canadian town, like in any other, many dozens of musicians are performing every week. They would certainly do better without hassles about music-performance and recording rights.
To mention a few examples: my son’s band, my daughter’s choir, and that group in Toronto that does superb and historically important performances of operas but can’t provide videos.
America put Duke Ellington on a postage stamp but I couldn’t find his music until I bought 40 CDs of it in Europe. After converting them I had no further use for them and gave them to a library.
Duke didn’t sit on his bum collecting for other people’s performances.
[updated 2009-08-19 03:55]
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19 Aug 03:55
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dendee
Require that an internet user must provide proof or covenants of his/her identity in order to obtain a new email address or profile. Online crime, identity theft, spammers etc could be reduced if security was increased. The internet is currently in the "wild west" phase. Why are we allowing criminals to act anonymously on line? I'm personally willing to give up some privacy in the interest of a more secure internet environment.
[updated 2009-08-19 00:53]
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19 Aug 00:53
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djensen
The only way to position Canada as a leader in the digital economy (as far as copyrighted material creation/management goes) is to abandon the business models of the brick-and-mortar economy. Parliament's job is to do what's best for Canadian citizens, not prop up the middle men and dinosaur CEOs of foreign corporations unwilling to adapt to the realities of the digital economy.
The reality of the digital experience is quite simple: people want to use what they paid for how they want to use it. That means format shifting, time shifting, unlocking features on their digital devices, taking their movies and music with them, and not being restricted to a particular format, device, configuration, version, model number, time slot, or number of uses.
Another reality, one the entertainment industry is loathe to admit, is that people want to sample before buying. Despite movie and music downloads, those industries see blockbuster after blockbuster and hit after hit.
[updated 2009-08-18 02:21]
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18 Aug 02:21
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sleepy62
The best way to ensure a thriving online economy long into the future is to stop trying to prop up business models of the past. Information is no longer scarce. It therefore cannot be sold as distributed as though it was. In order to do so you would have to clamp down and monitor all transactions and essentially put everyone under surveillance. Unfortunately this is the direction governments (being pulled by big business and big media lobbyists) have been going. This will ultimately fail in the long run, a bit like the failed war on drugs and other such ideologically driven endeavors. However they will certainly have good run at ruining the internet and stifle allot of creative activity before it finally falls apart.
In the future there will be no copyright, only laws requiring attribution. All will be allowed and encouraged to build upon the work of others. Software patents will also be a thing of the past as they are also equally stifling not to mention totally unfair.
I release everything I do under creative commons license. I welcome collaboration and improvement. I have considered shrink wrapping and trying to control my software releases in the past but always concluded it would be a mistake. I make my money through consulting and customization. My customers are not required to use a one size fits all corporate solution.
[updated 2009-08-17 00:22]
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17 Aug 00:22
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Gepinniw
Continue to allow freedom and privacy online. More restrictive copyright will stifle innovation and erode our rights. Current copyright law is balanced and respects citizens' privacy.
Currently, I pay (a lot) for bandwidth and hardware. If copyright holders need more support, do this through increased gov't support through grants, etc. Perhaps a surcharge on hardware could be implemented, like the surcharge on recordable media.
[updated 2009-08-13 18:14]
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MikeNstuff
"Canadians pay an additional tax on all blank media and at a point paid a tax per GB on ipods and hard drives. A 50 pack of CD-r's (50) will run you at least $20+ for cheaper brands and a lot more for the better ones just because of it.
Even if you never burn a single music CD or download a single MP3, that tax is still being charged on any blank media you might use for pictures and everything else. What they want is to be able to keep the levies and still be able to bust your door down and cry a river."
That's what I am afraid of what copy right law is going to become.
[updated 2009-08-13 14:29]
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meikipp
Copyright law really needs to distinguish between several classes of uses of copyrighted material in order to foster innovation and creativity: commercial use, non-profit use and personal use. Commercial use obviously requires a licence from the copyright holder. Non-profit use probably also requires a licence unless the audience is small. Personal use really should be exempt from copyright law unless a person then decides to distribute the work or the derivative work, in which case it would be a case of non-profit use. Making these distinctions would make it more obvious when a person needs to seek permission of the copyright holder to use the work.
[updated 2009-08-13 12:24]
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13 Aug 12:24
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Navoi Vonafets
Copyright should be modernized, but not to the effect in which copyright protection agencies should be able to control and censor the Internet.
The kind of change I would like to see is legalization in file sharing for personal uses. Surveys and studies show that P2P has helped sales and fosters creativity.
The idea for a 3 strikes type of disconnection plan is pathetic. With basic computer knowledge a child can easily crack someone else's WEP code and use their Internet illegally. A three strikes law would be worthless. Draconian laws are not our future.
Remember the more you limit P2P, the stronger it gets. Do a study on the history of file sharing and you will find that every time copyright organizations have tried to censor the content they failed.
Also please don't confuse filesharer's for pirates. Pirates are the people out on street corners making a profit from selling bad quality bootlegs. Filesharers are the people who use a file sharing protocol like bittorrent too exchange their files freely and most of the time legally.
[updated 2009-08-12 20:04]
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12 Aug 20:04
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vishal
An anti-circumvention law should not criminalize unlocking cellphones. Otherwise, it will further deteriorate competitiveness in the Canadian wireless market by creating an additional barrier to switch providers.
Wireless providers already make their customers sign long-term contracts. Why do they need to lock the phones as well?
[updated 2009-08-11 20:42]
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Russell McOrmond
It is hard to know where to post this under the 5 different subject areas that Nik chose. I have published a draft of my submission to the 2009 copyright consultation.
http://www.flora.ca/copyright2009/
Many of the proposals will seem familiar to anyone who has read my previous submissions or my BLOG on digital-copyright.ca . Feedback welcome, and you may also use any of these ideas in your own submissions.
New ideas might be:
* How I see the extremes in this debate being between the suggestion that any unauthorized usage (commercial or otherwise) of a copyrighted work is analogous to "theft" vs. the suggestion copyright holders shouldn't need permission or payment (non-commercial or otherwise).
* That some of the cause of infringement will be how the general public is interpreting some of the views of some of the "infringement is theft" extremism.
* That copyright infringement may in some cases economically harm competitors more than the copyright holder.
[updated 2009-08-11 17:08]
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cndcitizen
Online Economy MMO's - How to protect my online investment and time?
Funny, I was reading the wired news and found some past articles on the digital economy and virtual goods...seems someone setup a "bank" in a virtual universe (Eve) and then after having Billions and Billions of dollars of virtual currency deposited into the bank worth many thousands of dollars of real world money, the "Trusted" bank manager, ran away with it.
Currently we have virtual stockmarkets that show the real world value of virtual goods...what type of laws are going to be applied for a theft like the above for virtual money that was accumilated or purchased from the game and is stolen from someone else...are we going to see theft laws applied to vitual goods which send people to prison like if I stole yourphysical car? What about for bonking someone over the head and stealing their space ship in some virtual world...interesting question...because it does have to do with the digital economy as more and more games are charging for access.
For example when someone says they have spent months and months on building up a character or money in a virtual world and then see it stolen, what you are doing in fact is you are creating a character with over 100's of hours of "work time" or a "virtual set of goods". Now what laws would protect that investment...would it be similar to an artist spending 100's of hours on a work of art or are they to be treated different?
If you use the argument that artist do it for money, people play the games for enjoyment...I would say that those arguments are worthless as a lot of companies now are playing the games to sell these virtual goods for real world money...and the employees do it for a paycheck. So Artist and the Game Farmers can be both doing the same thing for the same reasons....to make money...now what is the difference?
In the future, real and virtual might be a little less confusing and if I create an album in a virtual game and get virtual money for it....that can be converted into real money then who loses...check out second life...
FYI I don't play Eve or second life, just thought it was interesting issue....
Thanks,
[updated 2009-08-02 18:52]
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02 Aug 18:52
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dru
Is there a Candian Heritage Podcast version or ipod friendly of video found at http://copyright.econsultation.ca/topics-sujets/show-montrer/24 ?
Sure would be nice if I could listen to the town hall meeting on my IPOD and not be tied to the computer.
Is there a podcast feed? or downloadable version of this meeting?
Or does this concept violate copyright?
[updated 2009-08-02 17:29]
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misterhay
Two resources that are, in my opinion, very good at describing the current and future global, digital economy are Chris Anderson's book "Free: The Future of a Radical Price" and Cory Doctorow's series of essays entitled "Content".
[updated 2009-08-02 16:30]
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Jkobo
Offside of my comments on monetizing the networks, I completely agree with David Keeble's speech at the Gatineau round table (time index 65:05 in the round table audio file).
The creative industry need to understand that the digital economy has helped foster a cycle of "Creative Destruction" http://en.wikipedia.org/wiki/Creative_destruction
This Creative Destruction cycle can be found in virtually every effected IP industry. There is now clear evidence of Creative Destruction within the music industry, which also refutes the CRIA claims that WIPO nations like the UK have dramatically better results as a direct result of implementing stronger IP reforms and international treaties. Recorded Music sales are down by 6% in the UK.
PRS for Music is based in the UK who is the largest collecting body of royalties for their country released a report, that basically states this industry revenue has gone up on a whole of 4.7% in the middle of one of the worst global Recessions on record, and area's where this industry has seen the most growth, back up a lot of what I have said in previous posts.
The report also points out that the need to "understand the current ecosystem".
The wave of Creative Destruction we have seen has basically made the old model of "pay per copy" obsolete in my view, and largely unenforceable to implement and impossible to go back to. In order for creative talent to expect more money in, we need a different more relevant means of remuneration.
Without a different system in place, we could be looking at some further damage to these industries.
The PRS report also states: “Historically record companies have been the primary investor in new acts so the question the industry should ask is this: who will invest in developing the ‘heritage’ acts of tomorrow?”
Monetizing the networks will provide the necessary revenue streams needed to invest in the developing of the "heritage" acts of tomorrow. It will also allow a huge boom in innovation to occur. In the future I hope it will be the people that will be directly invest in these acts through monetization of the networks. That will create a sustainable value chain for our future creators, and force industry to relearn the ecosystem they are involved in so that new business models can emerge.
It's equally important that are creative talent understand that if monetization doesn't go through, nothing will change, and it may get worse. The past decade is evidence of this in other countries that have tried stronger IP laws, and have failed to drive in income from the consumer market on recorded sales.
[updated 2009-08-01 01:26]
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RobfromCalgary
Internet Service Provider Liability
Currently in Canada, Internet Service Providers (ISPs) operate under a Notice and Notice Regime. Canada needs to keep Notice and Notice. This is the best way to move forward with Internet Service Provider liability for the long term.
How Notice and Notice works:
An ISP receives a notice that a user of its service is alleged to have infringed copyright. The ISP passes that notice onto its user and the ISP is then required to track what the user does with the copyrighted material. At that point it is up to the person or organization alleging copyright infringement to take someone to court. At no point does the ISP attempt to decide whether the accused is guilty or innocent.
The US and some other countries have a Notice and Take Down Regime. A number of industry groups in Canada are lobbying to bring Notice and Take Down to Canada. They feel that Notice and Notice is not sufficiently rigorous to deal with copyright infringement.
In a Notice and Take Down regime, after an ISP receives a notice of alleged copyright infringement, it is up to the ISP to take down the infringing website or service within a certain number of days. The alleged copyright infringer is treated as guilty until proven innocent. To put material back up on the web, the accused person or organization needs to sue the accusing organization or individual in court.
Three reasons why Notice and Notice is better:
1) With Notice and Take Down, you are guilty until proven innocent.
2) Censorship. In Canada like many other countries, it is not against the law to make a false claim of copyright. In the US and Australia, there are many examples of organizations using Notice and Take Down to shut down websites that they don't like. It can take many months to clear your name in the courts and receive permission to put material back up. Many individuals and organizations don't have the money to fight Notice and Take Down.
3) In addition to the commercial ISPs, there are many non-profit organizations that serve as ISPs including public libraries, school boards, universities and colleges. Why should non-profit organizations have to put up with Notice and Take Down? Why create a rule change that would cause difficulties for smaller ISPs.
Notice and Notice already serves Canada well and will stand the test of time. If we implement Notice and Take Down, we will start seeing the same problems that other countries with that system have. This definitely won't stand the test of time.
[updated 2009-07-31 17:46]
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rinzertanz
ACUTE SEXISM is rabid throughout the entire 'digital tech economy'. Fact: only 1.5% women are involved in 'open source' or software development.
Kirrily Robert's, a female mathematician from San Francisco, looks at THIS PROBLEM with both clarity and understanding ...
http://tinyurl.com/mtebh8
(Above link includes video shot at OPSCON [Open Source Convention] this past weekend... see http://en.oreilly.com/oscon2009 for ADDITIONAL info)
Kirrily's blog is a 'must read' for both sexes to appreciate the PITFALLS & DANGER of continued gender based internet/apps development, globally...
[updated 2009-07-31 11:34]
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CFU
What Canada needs are stronger protections for original creators, and for enhanced collective licensing schemes. We need to put real economic value around the pale nod to Authors' Rights found in our Act (i.e. Moral Rights). We need to make some rights non-transferable, insert specific additions to deal with very real gaps in the Act (ex: time/format shifting, e-classroom issues, digital delivery), and ratify WIPO.
Canada does not need is a general expansion of exceptions to the Act. Nor do we need the imposition of one economic model (open source/"free") on all of us. The current Act already contains a good balance between users’ rights and owners’ rights. More "free" is not needed. Strengthened protection of original creators is the way to go.
[updated 2009-07-28 17:18]
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Betty Zyvatkauskas
Professional writers in Canada already face many economic challenges because this is such a small market. Reducing copyright protection will make it even more difficult to make a living. Creators need copyright protection.
[updated 2009-07-28 16:52]
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canadada
Blip.TV signs deal with You Tube ...
http://tinyurl.com/mcqogy
READ those 'THIRD PARTY' distribution clauses verrrry carefully people. Find out your 'percentage', make SURE you 'SEE THE BOOKS'. Think how this will/won't benefit YOU as a 'contributor'.
And for all those 'pirates' out there, understand that the monies to develop this DEAL were raised thru venture capitalists, NOT the artists.
In fact, the 'artists' were FODDER for the DISTRIBUTORS to 'swing the deal'. Within the digital 'economy' artists are increasingly squished into the role of 'content producer'. It is their 'numbers on a balance sheet' not their ACTUAL content that YouTube WANTS.
... sigh, doesn't anyone else UNDERSTAND what is happening here? It is the DISTRIBUTORS not the artists who FINANCIALLY benefit.
[updated 2009-07-28 09:39]
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Jkobo
The best way to protect a digital economy is to get a sense of the reality of the situation we are faced with. We have 2 sides of this debate and consultation that are either copy-right meaning they believe law and enforcement will create sustainable business models, and copy-left which believe copyright law is too harmful to society, innovation, and consumer rights.
The reality is that that either way this swings, it will be virtually impossible for law to be implemented or enforced on a grand scale with respect to the general population. We are in sort of like a cold war with neither side gaining ground, this is a stalemate. No matter what laws are put in place to protect creative groups, there will be equal counter measures to ensure the option of breaking those protections with the expectation of anonymity. What I think we should do is to monetize the networks. Each of us pay’s a certain amount of money extra on our internet bills, or the ISP’s are forced to contribute money without raising broadband prices. The payment scheme would be similar to cable TV. For media, remuneration will work as it does in Radio through SOCAN week, and with respect to cable TV ratings were 1 day or week out of every quarter content consumption over the networks “the air waves of the internet” is looked at and overseen by a watchdog to ensure consumer privacy.
That and combine the fact there are already newer ad models and business models currently in the production line that are tried tested and true for internet content that will pick up the slack. Apps for the Iphone through music is one such innovation, for TV and film:
http://www.youtube.com/watch?v=LxCoCTc3T5Q
http://www.youtube.com/watch?v=oIqG7WgqQ-w
http://www.youtube.com/watch?v=2XftaEUYLz4
Allow the remuneration and innovation to occur through fair and professional law. Meaning let there be room for amateur content and innovation free of charge to allow to experiment, or allow a grace period on copyright for amateurs who are innovating and experimenting on newer business models for at least 2 years or up to a certain level of income that will become professional eventually, in which the monetization of the networks would pay for this to spark innovation. It is inadvisable for the government to be holding consultations on “copyright” laws that will largely be irrelevant and unenforceable when the legislation is introduced, because it doesn’t accurately reflect what’s going on in the digital economy, nor move on from this “cold war”.
We not only need remuneration to be built into the networks, but we also need industry to be forced into new business and advertising models that work, and allow them time to experiment with them and prefect them. The monetization of the networks will allow them time to do this. It’s a win/win. Other industry will follow eventually. We need a forum where data is treated as a commodity, in order to prepare for the very near future:
http://www.youtube.com/watch?v=InI5n3NTvR4
Apply this quote from the above video to this consultation: “Everybody is focused on compliance, and nobody is thinking about innovation and how to drive change”
[updated 2009-07-28 00:09]
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CraigB
Canada would be best positioned by changes that recognize that digital culture is essentially fluid. The digital landscape is a constantly changing one, one where creative works are synthesized, rebuilt, refined and lead the way to others on a near-daily basis.
Part of that does involve recognizing the need for artists' rights, but they also must recognize the need for consumers' rights. With the tools available nowadays, today's consumer is tomorrow's artist. Choking off their access to the works that will inspire them, and forbidding them to break down and "mash up" the works that did influence them—that would be a tragic mistake.
We need to push Canada ahead, not pull it behind.
[updated 2009-07-27 18:34]
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canadada
'The Pirate Bay' is about to be 're-packaged' into a 'legit' company. Global pirates are scrambling to 'share' the existing archives using this mirror app:
http://tinyurl.com/lvpkfl
And, as is rightly stated, it is near impossible to prevent this kind of p2p/copying, especially when there is such an aggressive community that supports 'creative theft'.
I do not. I post the above link for people in this forum to UNDERSTAND how malignant this cancer is.
Every download for 'personal use' (blah!-such pigspeak!-) is a slap in the face to the original artist, regardless of all the 'yah, but, ya know, let's SHARE, why not' "Righteous Rebels" out there who so vehemently oppose 'Copyright'.
'Rip off' artists are bullying slime. They are equal to the "vampire squid" that are slithering thru the corporate world who are also trying make 'a back-hand buck' off this reprehensible behaviour.
Come on people.
Time to vote 'em off the island.
Protect, encourage, and support artists.
Straight up.
[updated 2009-07-27 17:11]
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canadada
Pirates. Are Pirates. Are Pirates ...
"In the wake of the recent earthquake, 56 popular local artists and musicians recorded a six-minute song to raise reconstruction funds. The uplifting collaboration, titled “Domani 21/4/09,” features turns by top-selling Italo pop performers Jovanotti, Ligabue, Zucchero and Elisa, among others. The song was distributed online for e2 ($2.70) per download, before going out to record stores for e5.
But filesharing sites put a damper on the fund-raising, registering more than two million illegal downloads of the track.
“I feel frustrated and dismayed,” lamented prominent Italo music industryite Caterina Caselli, who produced the song for free with Universal Music. “This time (the pirates) aren’t going against the interests of the hated music majors, but against tens of thousands of citizens who have to start from scratch after having lost everything.” - source, Variety
Note that number: 2 MILLION downloads, and counting ... Is this REALLY the kind of world that we want - ? That's the question.
[updated 2009-07-25 22:17]
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RJWitmer
A successful economy requires a healthy balance between the rights of the seller and the rights of the buyer. This is what is missing today. Companies with a 70 year monopoly are dictating the terms of the sale, applying non competitive practices on their hardware platforms and ignoring the rights of the consumer. They are then lobbying for tougher laws to protect them because their sales are dropping.
Any changes to the copyright laws have to be balanced with updated changes to the consumer protection laws. In my opinion this is where the previous Bill C61 failed. It contained some recognition of consumer rights but then allowed digital locks to be implemented that didn't recognize the consumer rights. We can't make criminals of consumers that are exercising their rights.
A Digital Rights Management (DRM) system must manage all rights or none. The vendors can not continue to implement digital locks that protect their goals at the expense of consumer rights. This just devalues the digital content. The laws must limit what the digital locks can and can't do. If the digital lock violates the consumers rights then the consumer requires either the legal right to break the digital lock or the ability to take legal actions against the company that implemented them including compensation.
The digital locks must not be able to lock the content beyond the copyright limit. If the copyright is for 50 years then they must not be allowed to lock the content beyond this period of time.
The digital locks require a fail safe mechanism. If a digital lock is deployed in Canada the party that implemented the lock should be required to register with a third party a utility that is proven to unlock the content. The third party firm (i.e. Accounting firm) would the be obligated to publicly release the utility if the company goes out of business or decides to exit the market. If the rights holder still requires the content to be protected they must provide replacement content.
The digital locks must not be able to limit the content to a single vendors platform. If the consumer purchases content from Vendor A they must have the ability to export the content to Vendor B's platform if the content is the same format. In other words the vendors must not be allowed to use digital locks to create incompatibility.
The consumer must be recognized as owning the right to consume the content in any form they desire.
What I'm suggesting only increases the value of the digital content that is being purchased and would make for a sustainable digital economy. Canada should be leading in this area rather then following other countries mistakes.
[updated 2009-07-25 11:57]
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Rai
I personally have never been that involved in the music industry (as a consumer), I refuse to buy any form of music because I know its overpriced beyond its value. I have also avoided downloading music because of the legal and moral ambiguity (I dont believe the action of downloading/sharing music is morally wrong, but because it *may* be illegal to download songs, going against the law could be seen as immoral).
Heres an experience I've had recently:
My friend purchased concert tickets for himself (and another ticket for me, since he wanted to bring me along). When he purchased the tickets, the band provided him with a download of ALL of their songs at no extra cost.
Since I usually avoid the music industry, when I actually attended the concert, I was shocked to see how much money was being spend on a variety of merchandise in the lobby. I personally consider it all too overpriced, but there were lots of fans of the band who thought the merchandise was either worth the price, or wanted to show their support for the band (or both).
As the warm-up band played (who neither I nor my friend had ever heard of before), they played a song that we both recognized. Not only that, but I knew most of the words, and a lot of the people in the audience were singing along too (to make a note, people were not singing along with the band's other songs). After the concert I looked up the song/band and found out the only reason I knew the song was because it had been in a commercial routinely played on television.
I think my recent concert experience is an excellent example of how the digital economy has already started to replace the old business model (which I see as horribly outdated). Musicians can still make a living even if their music is given away for free; good bands will have fans that want to support them, attend their concerts, own their merchandise, and collect their albums. In addition, I believe this examples shows that the sharing and exposure of music will allow artists to become more well-known and become even more successful. Few people in the concert audience would have recognized the warm-up band if it was not for that one commercial.
I believe the act of copying music (copying a file, file-sharing, P2P, or any related form) for non-commercial personal use should be completely legal since the ownership of the song (who created it) remains, and there is no financial loss created by this action.
An added benefit of allowing file-share of music would be the increased culture of our citizens, encouraging more people to listen to more music and increasing the public's interest in the arts.
I believe that the free sharing of music would benefit most musicians.
Large corporations with monopolies over the music industry may be hurt by this business model, but if they allow themselves to adapt they will survive. All these musicians will still need representation, marketing, cover designs, etc. that these companies can still provide and profit on.
[updated 2009-07-24 17:59]
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KickingRaven
In a digital commodity market do we not see environmental benefits in less consumption of physical goods? If our global reputation suffers from our lack of progress on the negative environmental impact of resource-driven activity, could we not see our environmental reputation improve from making the transfer of digital goods less punitive?
Part of the reason that I no longer buy DVDs is because the digital distribution alternatives made me much more aware of the environmental footprint associated with it. The other was that I was no longer willing to keep repaying for the same content due to VHS to DVD to HD-DVD (yes, I got burned on that failure) format shifts.
While not a primary driver for the consultation I feel that enviromental impact is a valid point to bring into the discussion. It could be likely that we would see more DRM that is tied to the actual physical possession of a product if DRM is given the weight that it would be if bill C-61 was passed.
Finally, here is an interesting quote from a 2007 article titled "How the Physical Distribution of Digital Goods Impacts the Environment" by Carolyn Pritchard:
"It is difficult to place an exact estimate on the total environmental impact of an individual CD. In relation to just greenhouse gases, one study estimates an impact of 1 kilogram of carbon dioxide equivalents for each music CD produced, packaged and delivered. About half of this comes from the production of the CD and half from transportation. Another study, which focused on alternative approaches to music reproduction and distribution, estimated a net difference of approximately one 1 kilogram of greenhouse emissions between physical and electronic distribution (assuming that the electronic media isn’t simply burned onto a CD by the recipient)."
[updated 2009-07-24 17:28]
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rinzertanz
Heather Robertson, author, recently 'won' a DECADE LONG class action law suit against the Globe & Mail regarding compensation for 'illegal' digital transmission of works by 'content producers', aka 'artists & authors'.
Yet, internationally, the continued FREE dispersal of digital content by WITHOUT COMPENSATION continues ... See 'cloverleaf.com', a 'FREE' magazine service, as an example.
Authors and artists must be vigilant about 'distribution clauses' whether working 'on contract', or 'freelance'.
Discuss.
Please.
[updated 2009-07-24 10:15]
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majicmeow
The internet has revolutionized our society in every conceivable way!
Piracy will never, EVER be abolished unless content is given away freely by its creators. Trying to create laws to stop it or laws to control it are doomed to fail every single time without fail!
To make Canada a leader in the digital economy, I believe freedom of content distribution MUST take place. The internet can simply not be held back and there are always ALWAYS going to be work arounds to DRM and paid (iTunes) or subscription (Napster) systems.
The content is ALWAYS going to be floating around online for people to download for free. Don't try and control that because it CANNOT be controlled in a Democratic free country. Nothing short of a Socialist society can control that and we don't want that now, do we ;)
The ONLY solution for the problem of royalties and compensation (of content creators and distributors) while maintaining this digital economy is an Entertainment Tax on digital devices used to Acquire, store, display and play digital content.
Take the digital media tariffs. I think the tax on the iPods was a good thing! I think the tax on blank media is a good thing. So, take that idea and run with it!
As an example;
Allow file sharing. Allow the LEGAL downloading of movies, television shows and music. To compensate, tax the devices used to acquire store and play the content. These devices are (but not limited to)
-digital media (blank DVD, Bluray, USB sticks)
-hard disk drives (internal and external)
-internet connections
-personal computers/laptops/net-books
-televisions
-home theater equipment
-car audio equipment
Basically, any device capable of playing or acquiring the content should be taxed. This tax should be the same for every product. Don't make it confusing for the consumer or end user. Everyone should know they are going to pay x% on any of these products.
I do not believe that the content itself needs to be taxed, as it is unable in its own capacity to be copied or distributed. The above list of products are what need to be considered.
If you consider how many homes are going to purchase a new LCD or Plasma TV or a new computer each year, or how many cars will get new CD players or DVD screens or speakers, you'll begin to see why this makes sense!
I'll use the automotive industry as an example. Each and every oil service performed has an environmental levy imposed. Each tire sold has a levy. Every time a new car is sold with air conditioning, there is a levy.
These levees are imposed to negate the cost of environmental programs and protection. People don't complain about this. In fact, 99/100 times they understand and agree with them!
The goal is not to go crazy and make products/services difficult to purchase or afford, but make it reasonable enough that consumers can accept and embrace the tax because they can tangibly see and hear the benefits.
Like the automotive example above, it shouldn't cost you $100 tax per tire... that is unnecessary!. But $2/tire is a lot in the long run considering how many tires are sold in Canada and yet, it does not affect the purchaser of the tires in a negative way.
<b>Let them know how the tax will benefit them and what it can do FOR THEM</b>
In my opinion, the consumers are more likely to pay a slight tax on their digital products to enjoy extra freedom with their use!
This is the only way that, artists, actors, directors, content providers etc... will ever be properly compensated for the wonder called the internet.
This is all my 2¢... so please respond accordingly.
[updated 2009-07-24 01:31]
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Devan
I'm sure that one of the issues on the table for potential legislation is the policy of "Anti-Circumvention". I recently wrote a research paper on copyright and why Anti-Circumvention must not be supported by law:
www.devanengland.com/anti-anti-circumvention.doc
If we learn anything from the DMCA, it should be that digital locks are very frequently used to enforce anti-competitive or anti-consumer practices. Companies can tie customers to their products, remotely deactivate content that was already purchased, and completely prevent Fair Use.
What we need is copyright law that protects consumers from any digital locks which prevent them from exercising their rights or which hamper free consumer choice (which is an essential component of an effective free market).
Short of that, we must still ensure that no Anti-Circumvention policies are added to our copyright system. Policies like that are like "hooks" into law; they allow third parties to effectively add-on to the law and make it more restrictive by simply placing a digital lock on a product. Then since whatever the lock does is protected by law, the customer has to choose between obeying the third party or sacrificing the product.
There have been numerous recent cases of heinous abuses of Anti-Circumvention policies which result in unfair and economically unhealthy business practices (see my paper for examples). Even if digital locks were an effective form of anti-piracy measure (which is another good discussion), they would still not justify legal protection. The amount of unbridled power that gives to unelected individuals and corporations is just too great.
[updated 2009-07-23 23:33]
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NCarlson
My main concerns about "modernized" copyright laws were very apparent in C-61.
Fair dealing is a vital piece of any reasonable copyright law, and needs to be preserved. While specifically enumerating fair dealing's provisions as in C-61 may be useful, it must be clear that these provisions are not exclusive; I was concerned that the specific measures in C-61 could be interpreted to have meant that consumers of copyrighted media had the rights specified and no others.
My biggest concern however is the so called "digital locks" provisions. While I could understand an increased penalty for breaking various protection schemes FOR THE PURPOSE of violating copyright, banning the bypassing of these provisions in general only serves to weaken fair dealing to no positive end. In effect it says that fair dealing gives certain rights, unless the copyright holder says otherwise. This is not reasonable, fair dealing is, and should be based in giving the user of content the ability to use as he or she sees fit. Equating the act of bypassing a system intended, for example, to restrict music to a specific brand of player with a violation, while also stating that consumers may, in general, "platform shift" content makes no sense whatsoever.
Beyond this I have few concerns about copyright provisions. Ideally I believe shorter terms are better for the public at large, but in practice this doesn't so much mean shortening Canadian terms avoiding the American "author's life plus 95 years" term length. Life +50 should be more than sufficient, and I do wonder if a shorter time might be reasonable.
Finally, crown copyright should be eliminated. It serves no purpose but to restrict the availability of government information.
[updated 2009-07-23 16:36]
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cndcitizen
Patent vs Copyright.....
The difference between the two is that for patent application you have to SHOW some type of creative or new work. The issue with patent (and very well documented) is that people come up with the same ideas at the same time and release them and some other company patents them...(amazon single click)...the patent law is not perfect but it does have a good basis with limiting protection to a set time from time of registration...I think 17 years (please correct me).
With copyright it is different because there is no basis on putting your work through copyright...it is automatic...so if you steal someone elses idea and push it out and then defend it, it is up to the original author to bring a suit that can take years to settle...
Copyright should be for AUTHOR or creators only and a limited time like 14-20 years for comercial gain...if you have a cool gadget then patent it.
[updated 2009-07-22 23:15]
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eye.zak
I'm going to take this question for my discussion about copying. I think this is something that is sorely misunderstood by many people because so few of us actually know how a DVD player, or a CD player work.
Copying is REQUIRED to play any CD, DVD or Blue-Ray disc, or even mp3s and other non-physical media. I'm not going to spell out the circuits and data path of a disc player or personal music device. What you need to know is that every one of these devices must copy, in part or as a whole, the content they are to play from the source medium (disc or hard drive) into their internal memory. The only difference between this and ripping the content to another device is the level of persistence. It is illegal to steal a million dollars, even if you give it back a week later.
Copyright law should reflect technological realities as much as the purpose of use. To foster a digital economy this is essential to allow device/software creators to understand the legality of their creation based on its technical capabilities and operations.
Writing this I cannot help but see the similarities to how our brains work. We copy and imitate from birth, it is how we learn language, listen to music, watch movies, etc. Studies have even shown that the brain cannot differentiate between a memory and a current experience, which is why dreams are so real. We are copying machines, it is how we are fundamentally built.
[updated 2009-07-22 22:43]
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DanL
Balance the rights of both consumers and producers of digital media.
For producers, this means the ability to distribute copy-protected versions of their media to regulate how's it distributed.
For consumers, this means that rights that we have for physical media - to resell it, to use it on multiple devices of our (as opposed to the producer's) choice, and to use it in perpetuity once it has been purchased - should extend to the digital realm.
What we as a society value doesn't depend on the form media occurs in - our values are our values, and we fit new media to them.
[updated 2009-07-22 22:41]
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phillipsjk
Besides being a "buzzword" what it meant by the phrase: "global, digital economy?"
Most "Intellectual Property" such as patent and trademark law appear to be beyond the scope of this consultation. However, patent and trademark law is being leveraged in an attempt to enforce Digital Rights Management. For example, I have heard rumours that digital video standards are a patent mine-field. Trademarks are use to signal "authorized players" that must license the patents in order to decode the content.
The biggest difference between "analog" and "digital" is the ability to use (forward error-correction) or (re-transmission) to facilitate loss-less copying.
I think loss-less copying is what really scares the so-called "content providers." One thing that becomes lost in the debate is: that EVERYBODY is a "content provider" to varying degrees. Digital Rights Management systems would have "content providers" pay a license fee to play only on "authorized players." The wide-spread use of DRM threatens free-speech.
Wow, that was dense.
[updated 2009-07-22 21:12]
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wfeltmate
It is important that we do not follow or base the new copyright laws off of current, backwards copyright laws in the US or giving in to their demands to draft their DMCA in to our law. A great source for abuses of copyright law is Techdirt and Slashdot.
A) With eBooks and Audiobooks becoming more popular, laws need to be created to protect the consumer. A recent article, which is only an example of all the similar stories, on Techdirt talked about how Kindle(eBook reader from Amazon) users who legally bought copies of the book 1984 recently found it unreadable. This is because the publisher of the book changed their mind and did not want to sell eBook copies of the book AFTER it was already for sale. This would be the same as Sony coming to your house and forcefully taking back a 52" tv because they don't want to sell their products in Canada.
B) DRM(digital rights management), also known as 'copy protection', needs laws to focus it on what it was first claimed to do; protect the rights of both the consumer and enterprise. Presently this is certainly not the case and is constantly abused to protect the interests of the business at the expense of the consumer's rights. One example that made the major news circuit was one of Sony's DRM schemes that installed what is known as a rootkit, where it introduced major security flaws and provided unneeded and illegal control over a person's computer. As it stands, the general application of DRM is to protect the interests of a company by placing extreme limitations on the consumer, often to the point where legitimate use can render the product unusable and the software for the DRM oft times has flaws or short comings where a legally purchased product may not operate as it should or at all.
C) Making digital copies of products, such as DVDs, CDs, Movies, etc, should be legal. I am a part of the generation that lives by the current technologies. I have a laptop, netbook, ipod, HDTV, wii, dvd player, etc, and I don't always have the time to sit down at home. I purchased a copy of something and should have the legal right to enjoy it whenever I wish. I should be allowed to make a copy to keep on each of my devices so that I may use my purchase wherever I am.
D) Fair Use is a very important issue to properly address. Their is a huge difference between sampling or being inspired by something and plagiarism. Since the overwhelming success of the Harry Potter franchise the author has been forced in to many legal battles over others claiming that she copied or stole her ideas from their works. Almost without exception the similarities between the two works has been vague at best - a good analogue is a motorcycle company suing a bicycle company - and their should be laws to prevent and protect authors, photographers, musicians, etc, from pointless lawsuits like this.
E) Wireless phone locks. In Canada and many other countries, wireless carriers such as Rogers, Bell and Telus, engage in locking their phones so they can only be used on their private networks. I understand that this was originally done to insure that the wireless carrier recoups the money they subsidize the phone for, but there is not need for this practice to be continued. The contracts signed to get the phone at a discount protect their revenue. We should be allowed to switch to another network that supports the technology the phone uses(GSM/CDMA/etc) if not in a contract to one company and I should be allowed to purchase any phone(using the right wireless standard) and have the wireless carrier support it and enable all features.
[updated 2009-07-22 18:37]
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Chris Brand
One of the most important things is to decide to lead, rather than follow. In particular, following the USA is not the way to lead.
The global digital economy will be led by countries with extremely fast, cheap connectivity (both wired and wireless) very widely available with the users determining the best use for it, and maximum ease of use of digital material. That means a vibrant public domain, broad fair use, easy location of rightsholders, minimal number of people to deal with to clear rights, and maximum freedom to use material in a novel manner even if the rightsholders don't agree. It also means that governments at all levels need to make all the raw data they collect and the results of all the research they fund freely and easily available.
Finally, we need to lead the way internationally by pushing for agreed minimal standards for exceptions to copyright, for a follow-on to Berne that reduces the term of copyright to something more reasonable in an era when business moves much faster than it used to and more in line with the expectations of most Canadians, for no new copyright-like rights for broadcasters, and for recognition that "counterfeiting" is about deceiving the consumer, not harming the producer.
[updated 2009-07-22 13:26]
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22 Jul 13:26
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JeffM
Since our internet infrastructure is so bad its hard to say how copyright laws might help/hinder online business. Bottom-line is we need more competition to see growth.
[updated 2009-07-22 11:49]
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22 Jul 11:49
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cndcitizen
Nik, nnanos@nanosresearch.com <nnanos@nanosresearch.com>
Can you fix the website so that is not locked to 800x600 some of the threads are being squished...for users that are out of the 90s we can see wider screens and would appreciate it.
Thanks,
[updated 2009-07-22 01:15]
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Dane
In this global, digital world we must also consider the impact other countries decisions will have on our own system. If other countries ever revise their copyright laws to allow private sharing, the digital world we live in would enable individual Canadians to access that content regardless of what we decide on now. The only way to prevent this sharing would be to expend lots of resources on the monitoring of those communications and have a way of forcefully preventing the users in Canada from accessing that content.
The US has already presented itself as a leader in the "stronger copyright" direction, and it has resulted in the criminalization of reverse engineering and events like Dmitry Skylov, a Russian who got arrested after giving a presentation on eBook security methods in the US. They are currently trying to allow the searching iPods and computers at the border to fight against unauthorized digital copies, and normal people are getting sued for obscene amounts of money.
We could also be a leader in that direction. However, I propose we become leaders by finding and implementing a way to properly reimburse the content creators without treating on the rights of the average Canadian. This truly is uncharted territory, and right now more than ever the world needs someone to take a chance with copyright reforms that respect both the creator and the consumer. Bill C-61 as it was written was an insult to Canadians; it would have benefited a few private interest groups at the expense of the individual Canadian's right to privacy and free speech (reverse engineering - not sure where this falls). I just hope the legislators have opened their eyes since bill C-61 and are able to avoid a rehashed DMCA.
[updated 2009-07-21 20:51]
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21 Jul 20:51
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mlines
Reduction of copyright term to the 25-year range. Elimination of Crown Copyright. Resistance to prohibitions on reverse engineering, to media industry-influenced technical specifications in electronic devices, to a regime where a notice of infringement can suppress speech without verification of infringement.
The US model is an invitation to failure. When industry reponds to the new environment creatively instead of defensively, there may emerge more tenable methods to promote innovation and investment. DCMA sytle reactions only prolong the transition and reduce innovation.
[updated 2009-07-21 18:57]
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21 Jul 18:57
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pneves
I believe the copyright act is adequate for dealing with the legitimate concerns of the people of this country. It already bans the unauthorized reproduction of copyright products. What more do you want it to do? I don't see where it can do more. Where we have a problem is in compliance to the law but given current technology I don't see where we can make people comply more. In most cases such compliance is based on the good will by the citizens of the country. I personally that spirit of good will was violated by the Liberals when they instituted the CD levy on people who purchase blank CD's and other electronic devices for storing content.
[updated 2009-07-21 18:20]
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21 Jul 18:20
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thecatwhisperer
People pirate because of a few main reasons:
1. There is little to no DRM free, reasonably priced alternative (not really true anymore for music, depending on what you feel a reasonable price is)
2. There is no reliable, easy way to get the content digitally through legal means (Movies, TV, some Music, E-Books, etc).
3. Its very easy to get pirated material. Much more so then to get the digital equivalent.
The answer, IMO, is for the industry to smarten up, remove DRM form all media, and provide the media, digitally and DRM free at a reasonable price (RIAA recently conceded that DRM is dead).
Digital downloads do not require packaging or shipping, storefronts, etc. They require much less staff to produce and sell. Really, a huge portion of the costs are gone when compared to traditional media. So technically they should be cheaper than their physical counterparts.
As someone else pointed out once you've purchased the licence for a particular work, its yours, you should be able to switch formats (iPod, HTPC, CD, etc) without incurring any additional costs as long as you are not increasing the bit rate/quality. (ie: if you purchase a DVD version of a movie, it does not give you the right to download an HD version, but the opposite is true.)
- Recent studies show that piracy may in fact increase digital sales, not decrease them.
- Certain people will always pirate. If you add throttling, and web snooping capabilities they will (and are) switch to encryption and private VPNs.
- I believe that it is much more cost effective to give up this ridiculous fight and offer people cheaper, easy to use methods of getting what they want.
[updated 2009-07-21 13:24]
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21 Jul 13:24
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Kevin
A leader doesn't follow, a leader doesn't bend to the will of large foreign corporations. In order to lead this government must first stop following and not be afraid to stand on its own for the interests of its citizens. Our laws must reflect the will of Canadians, this is an extremely simple and fundamental concept.
[updated 2009-07-20 23:49]
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DBottawa
Copyright should be modernized to ensure that copyright holders are fairly compensated in some way, but prevented from abusing their privileges and unduly influencing the Canadian marketplace.
Copyright infringement should only be enforceable if the work is in fact made available by the copyright holder in the format of the alleged infringement.
Fair dealing needs to be explicitly specified in the Copyright Act. If the term of copyright is not shortened, it should irreversibly lapse once the work is no longer commercially available from the copyright holder.
Modification, reverse engineering, and distributing patches for the purpose of ensuring software or hardware functionality should be explicitly allowed.
For works where the copyright is held by a corporation, the copyright term should be a fixed time from the date of publication.
Statutory damages should only be available in cases of commercial copyright infringement. For non-commercial infringement real damages should have to be proven in court.
If a copyrighted work is licensed, moving it from one format to another should not constitute infringement.
Lastly, there should be fines for frivolous allegations of copyright infringement or intentional interference with protected fair dealing.
[updated 2009-07-20 20:27]
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dbrett
Canada should resist all attempts to lower/water down legal protection for Copyright holders. In fact, new clauses in the act should be drafted to specifically prohibit file sharing and other computer network distributed electronic copies of protected works.
At first, this move will be seen as regressive, but it beefed-up anti-piracy law is actually prescient.
For a discussion on where the world of online content is going, read my blog post Web 4.0, Pay Day: http://tinyurl.com/m2wqz2 .
Eventually, all econtent business models will be paid models.
I have published on this topic previously and wrote an MBA Master's Thesis in 2001 entitled Digital Diagnosis; Copyright Intellectual Property and the Internet.
David H. Brett
[updated 2009-07-20 18:47]
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rakey
As a Professional Photographer posts personal works on the Internet and licenses stock photography worldwide, I hope that the Copyright law will protect what is mine.
NO ONE should be able to use my work unless I (or my representative(s)) have given express permission for that party to use my work, derivative or otherwise whether in print or digital media.
If the license states a specific usage, that should be the only usage permitted until or unless the party requesting usage gets a specific license (again, from myself or my representative(s)) to use the work beyond its original licensed media and terms of usage.
Just because a new media exists, should not give a party the right to use my work in or on that media unless expressly permitted by me, the author.
Canadian Copyright should also uphold the traditional, common copyright that exists when an author creates a work it is immediately owned by that author (whether music, photograph, digital image or other handmade art) and if and when the author posts an original work, that it should not be allowed to be posted or otherwise reposted, whether original or derivative, in a digital or printed format without the original author's (or his agent's) express permission.
I am confident that the Canadian Government will protect my work and the sovereignty of all Canadians through copyright protection.
[updated 2009-07-20 18:42]
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auxonic
Whenever a Canadian uses part of an existing work, references it, samples it, modifies it, or otherwise makes use it they need to be absolutely certain that their use of that work is protected and that they aren't going to be sued into bankruptcy over the most minute aspect of the law.
Copyright is about protecting creativity not stifling it.
Clearly, direct reproduction and distribution of protected works for profit is unacceptable, but the point at which you're safe needs to be much closer to that end of the spectrum than it is, or is perceived to be.
[updated 2009-07-20 15:55]
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20 Jul 15:55
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cndcitizen
Net-Neutrality should be the cornerstone of any Economy.
ISP's and other service providers should not be able to limit or substitute information to me without my consent (add's etc). If I pay for a service I would expect to be able to take advantage of the complete service and not just want is convenient to the service provide.
Cell phone locks should not be allowed...If I want to switch carriers, I should be allowed...cell contracts should have a 30 out day clause like all other services.
On Throttling, If a car manufacture sold you an automobile that could do X, Y and Z, and then 2 months down the road it would only do X, and sometimes Y and Z then the company should provide our money back or fix the issue with the car. Service providers should be held to the same standard or release us from any contract and provide a portion of the money back for the descrease in service.
[updated 2009-07-20 15:38]
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